One of the more forgotten of the Antwerp 6, Marina Yee is set to return 10 years after her last collection with a new collection to be shown at the concept store Laila Tokio in Tokyo. Marina graduated at the Royal Academy, Antwerp in 1981 alongside the Dries Van Noten, Ann Demeulemeester and Dirk Van Saene and went on to show in London as part of the Antwerp 6. Yee then left the group in 1988, setting up her own label to great success but did not want her brand to become large and commercial and so only released small collections off the traditional catwalk schedule, showing her final collection in 2005.
Titled the M.Y. project, the collection will include clothing and textiles from flea-markets reimagined and reconstructed into 5 new designs alongside archive pieces and handpicked artwork. Yee’s work has always centred around the reconstruction of garments found at flea markets in an effort to ‘battle the materialistic wastefulness’ associated with fashion. Yee was at the forefront of recycled and eco-friendly fashion before the issue of eco-consciousness really hit the mainstream.
She calls the latest collection “the micro-collection. It’s very small and it’s a reaction against the over-offering of so many choices today that lacks soul.” The opportunity, said Yee, came about after the vintage shop, which previously hosted pop-ups selling Helmut Lang archive pieces and Phoebe Philo‘s first collection for Céline, purchased some of her designs at an auction. With her latest collection she hopes to shine a light on sustainability within the industry.
The collection can be seen at Laila Tokio 1-5-11-2f, Shibuya, Shibuya-Ku, Tokyo from 30 August
After 12 years of producing their first luxury, minimalist collection, Mary-Kate and Ashley Olsen are set to release a fully fledged menswear range. Over the past few years the twins have been experimenting with menswear, releasing one off capsule collections and shoe collaborations, and are now ready to release a full collection comprising of suits, tailored separates, denim and knitwear.
The collection will go against the grain of the current growing sector in menswear, slogan t-shirts and hoodies, and focus on the simple, minimalist designs reflecting the work of late 80’s early 90’s work of Helmut Lang as well as the labels namesake tailoring of the area in London, Saville Row. The tailored pieces are made in Japan “in order to achieve minimal luxurious construction” with traditional European hand-stitch techniques; the shirting is produced in France, the knitwear in Italy and the denim and T-shirts in the U.S. The range will cost from $3,950 to $5,795 and will be available from The Rows two clothing stores in NY and LA as well as Dover Street Market, Mr Porter and other high end stores.
After founding their luxury fashion and accessories label in 2005, based on the personal challenge to find the perfect t-shirt, the Olsens have since won three CFDA awards, two for womenswear, and one for accessories.
In May of this year J W Anderson put out a call for emerging new photography talent to enter a competition to shoot the brands Spring 19 campaign. Being a part of the NewGen talent given a leg up in London fashion week in 2011, Anderson must of felt it was time to give something back to the next generation of talent coming up through the ranks. The J W Anderson ‘Your Picture / Our Future’ search eventually yielded the talents of photographers Julie Greve from the UK, Yelena Beletskaya from Russia and Simons Finnerty from the U.S.
The three photographers were commissioned to shoot the campaign which has just been released and asked to stay true to their individual aesthetic in order to reinvent the brands image. “This campaign is all about a ‘creative refreshing’,” explained Creative Director Jonathan Anderson in a press release. “We chose to work with three young, talented photographers, all of whom have their own untainted, creative visions. Fundamentally, they were able to grasp the unfiltered essence of the JW Anderson brand.”
Each photographer was given a selection of ready-to-wear garments and accessories from the brands Autumn collection and were asked to add their unique, distinctive style to the images. The photographers worked closely along side stylist for the brand Benjamin Bruno as well as Anderson himself. “It’s been kind of amazing. We had nearly 2,000 entries from all across the world: Japan, China, Argentina, Russia, Canada, the USA, everywhere” said Anderson. The final images are strikingly individual, but remain thoroughly in line with “the unfiltered essence of the JW Anderson brand”.
Turner prize winning artist Anthea Hamilton has transformed Tate Britain with her latest instillation which, as well as 7,00 white floor tiles, includes seven costumes designed in collaboration with Loewe by Creative Director Jonathan Anderson. The show, called The Squash, is the latest annual Tate Britain Commission which asks contemporary British artists to create new work in response to the building’s grand space. Anthea Hamilton has transformed the heart of Tate Britain into an elaborate stage in which she has placed a solo performer in a squash-like costume at the heart of the Duveen. Every day for six months, a performer will select a costume from a rack of seven created by Loewe and explore the space. Each element of this bold and immersive installation is partially informed by Hamilton’s interest in found photographs, where the original source has been lost, but here, Hamilton re-purposes them, inviting the performer to explore their own interpretation of the image. Performers select their costume of choice, depending on the image and their chosen interpretation. Gallery director Alex Farquharson said: “Anthea Hamilton has made a unique contribution to British and international art with her visually playful works that both provoke and delight. This compelling commission demonstrates her ability to seamlessly weave together captivating images and narratives, creating rich new environments in which to encounter works of art.”