One of the more forgotten of the Antwerp 6, Marina Yee is set to return 10 years after her last collection with a new collection to be shown at the concept store Laila Tokio in Tokyo. Marina graduated at the Royal Academy, Antwerp in 1981 alongside the Dries Van Noten, Ann Demeulemeester and Dirk Van Saene and went on to show in London as part of the Antwerp 6. Yee then left the group in 1988, setting up her own label to great success but did not want her brand to become large and commercial and so only released small collections off the traditional catwalk schedule, showing her final collection in 2005.
Titled the M.Y. project, the collection will include clothing and textiles from flea-markets reimagined and reconstructed into 5 new designs alongside archive pieces and handpicked artwork. Yee’s work has always centred around the reconstruction of garments found at flea markets in an effort to ‘battle the materialistic wastefulness’ associated with fashion. Yee was at the forefront of recycled and eco-friendly fashion before the issue of eco-consciousness really hit the mainstream.
She calls the latest collection “the micro-collection. It’s very small and it’s a reaction against the over-offering of so many choices today that lacks soul.” The opportunity, said Yee, came about after the vintage shop, which previously hosted pop-ups selling Helmut Lang archive pieces and Phoebe Philo‘s first collection for Céline, purchased some of her designs at an auction. With her latest collection she hopes to shine a light on sustainability within the industry.
The collection can be seen at Laila Tokio 1-5-11-2f, Shibuya, Shibuya-Ku, Tokyo from 30 August
At the forefront of London street culture & at the zeitgeist of the British working class, Samual Ross’s A-Cold-Wall* put on his most accomplished show to date on Sunday in East London’s Old Truman Brewery, his first after previous seasons of showing at the BFC space. The viewers, on entering the space, were each given a vacuum pack of safety goggles, ear plugs and a ventilation mask. The show began with a group of models wearing full clay covered grey garments and their faces painted grey slowly moving in unison throughout the space, the group appearing throughout the show to guard the clothing models with metal rods. The show was named ‘Human. Form. Structure.’ with the three concepts examined throughout the show. The clothes ranged from structured jackets to cargo shorts, bright yellow, oxblood and grey in colour with flashes of colourful metallic details in crimson. The trousers loose fitting with padding above the knee. The show ended with the grey group of models breaking down a structured wall that had been brought onto the runway, followed by a lonely figure in red paint pushing the structure away.
In attendance was Ross’s old mentor Virgil Abloh, with whom he had worked as an intern, then moved on to be his right hand assistant and consultant. On working with Abloh, Ross recently told Vogue UK “It’s funny because I can look at it from a few angles — as someone who has been a part of his journey, someone who looks at him as a mentor, someone and who is a person of colour in this industry,” he says. “He articulates the information of our time and he has worked incredibly hard consistently for over a decade, and most of that was behind-the-scenes, without public acknowledgement.” This has given Ross the insight and ability to ensure the designer does not become isolated form the consumer, a drive in many current successful streetwear labels.
A-Cold-Wall* refers to the idea of feeling a cold surface as a common social denominator — an Edwardian marble colonnade and council estate scaffolding evoking the same sensation for two different social groups. “It’s really about presenting conceptual ideas at a digestible level,” he says, referencing the bright synthetics of construction sites and council estates, as well as contemporary working class subcultures.
Following his appointment at the luxury British fashion house, the anticipation for Riccardo Tisci’s debut collection for Burberry has been one of excitement to say the least. So with him already working on his debut collection, Tisci has released a teaser of things to come on his instagram account from the pre collection called ‘B Classic’. The collection is a celebration of Burberry through a carefully selected edit of the iconic pieces synonymous with the brand: the trench coat, the quilted jacket the poncho and the kilt. Of the collection Tisci said “I wanted to celebrate the beauty, heritage and legacy that I discovered when I first arrived at Burberry. ‘B Classic’ is an edit that I’ve curated to honour the icons of the House – pieces like the trench coat, the quilted jacket, the car coat, the kilt – which sits at the heart of the SS19 pre collection designed by the fantastic Burberry design team.” Tisci took over from Christopher Bailey in March of this year with one standout line from Burberry’s announcement notes that Tisci’s “skill in blending streetwear with high fashion is highly relevant to today’s luxury, Riccardo’s creative vision will reinforce the ambitions we have for Burberry and position the brand firmly in luxury”. Riccardo Tisci will reveal his full collection for the brand in September 2018.
See Riccardo’s teaser on his Instagram account Here